Tag Archives: on writing

Paring It Down

For most people, editing is about excising. You trim out all of those unnecessary words and details and phrases and commas. You said too much. You described too much. You gave him too much to say. Stephen King even comes up with a basic formula for editing your story that goes as follows:

First Draft – Ten Percent= Second Draft

It’s one of the more difficult challenges for most writers because you have to determine what’s actually crap and what’s actually good, what actually helps the story and what hurts it. Even if that paragraph is utterly brilliant in terms of language and artistry and characterization, it’s unnecessary. And that’s the key word: unnecessary. Pare it down, clip it out, get rid of it, especially it doesn’t help the story go forward.

I don’t have that problem so much. Yes, I do clip out my fair share of badly used and superfluous words, but, for the most part, that’s not my problem. My problem is my first draft is always anemic and pared down already to the point that the story is skeletal. I’m an impatient reader and viewer and I’ll rail against authors who spend their sweet time getting where I want to be going. And when I write, I do the same thing. Why show this? The reader understands! Why show that? The reader can figure it out.

My murder mystery looks like the following: The body is found. The detective looks at the body. Ah-ha! He says. He captures the killer. Fin

I ignore little things, insignificant things like: personalizing the victim, describing the investigation, adding in a second murder to really kick it up a notch. I know the tropes and the cliches and the tools and the frameworks; I just choose not to utilize any of them because I want to go from A to B in the fewest number of steps.

So my editing process ends up being the exact opposite of Mr. King’s advice. I fatten. I add. I write more pages and boost the word count way up and flesh it out and grow it out. It’s the process of adding flesh to a skeleton. For me and for writers like me, it’s more:

First Draft + Twenty Percent = Second Draft

What about you? How does editing work for you? What do you have to do after completing that first draft?

-D-

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Writing About Writing

In the last few months, I’ve written more fiction than I did all of last year. I’m not sure why this is the case. Nor am I complaining.

But I would like to know why I’ll go through periods when I can’t be bothered to get to work and other periods where I MUST write or I’ll burst into a thousand pieces. If I knew, then I could control it. If I could control it, I could be a billionaire.

So far, the best I can come up with is that I’m reading more now than I was then. Or maybe that it’s because I’m writing about the same characters and the same world, so it’s that much easier to get started. Everything is all ready for me. I just need to step into this fantastical place and I can go.

The result of all this writing is that I think I’m getting better at it and the process seems easier. Not that it’s easy. But all those little niggling things that used to hang me up and keep me from going forward seemed to have smoothed out. I don’t know how or why that’s the case either.

That’s always been the frustrating thing about writing. So many intangible variables. Nothing quantifiable. Nothing identifiable. Just a vague, murky morass of weird. And feh to that.

At any rate, due to my mysterious burst of creativity, you’ll see me popping up online more (I hope) and I’ll be sure to let ya’ll know when and where my stories are appearing.

Dylan Charles

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