Tag Archives: Halloween

31 Days of Spoooktacular: Happy Halloween

I’m drinking a beer called Vampire Slayer (brewed by Clown Shoes). This isn’t a review, I’m just letting you know that I have a dark, flavor rich beer and you should get some yourself.

No, really I’m just here to say, Happy Halloween. We’ve spent a lot of time together, you and I and it’s been a hell of a ride. There were conventions and philosophizing on fear and beer and apple picking and more philosophizing. And, now, it’s drawing to a close. Soon, people will be slapping pictures of hand-turkeys on the walls and throwing cornucopias everywhere and eating way too much food. The time of reveling in horror and monsters and goblins and scary things is drawing to a close.

I’m a little sad, but mostly relieved. I can talk about other things now. I can review beers that don’t taste like pumpkins. I can watch movies that aren’t just boobs, blood and bad guys. I can pontificate on politics or work or Sprint’s terrible service.

But, just one more time, I’m going to watch a horror movie, drink a Halloween themed-beer  and relax for the last night before….

 

 

NANOWRIMO.

 

See you tomorrow.

And have a Happy Halloween!

-D-

 

PS If you need some spooky fun, check this out. It’s an audio dramatization of my story, The Song and Dance Man. Thumbs up.

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31 Days of Spoooktacular: The Art of Making Monsters (In 9 Photographs)

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-D-

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31 Days of Spoooktacular: In the Path of the Storm

Storms do not scare me. They haven’t scared me in some twenty years. The thunder is so much noise and the lightning is avoidable. Hail is a problem, but only rarely and only when you’re outside. And, in the end, there’s not a lot you can do about it except button down and stay low.

When I was little, around 7 or 8, I was caught outside during a tornado. I don’t know if the tornado came anywhere near me, it could have been a mile away, because I was hiding up under an overpass, being the most scared I had been or ever would be. The only thing I clearly remember is the noise, just the deafening, all-over, unrelenting noise. It was big noise. Noise that didn’t sound like anything because there was too much to process. It was like being caught in the center of a tiger’s roar and I couldn’t think; there was just raw, undiluted panic.

And then the wind died down and the noise stopped and everything was fine again.

I’ve never been in a storm like that since. Nothing has topped it. That noise. I think if I ever heard that noise again, I would drop to the floor and curl into a ball and hope it would all go away.

But right now, Sandy is being quiet. She’s shaking the house, bringing down some tree branches, but she has no roar.

Bring it on.

-D-

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31 Days of Spoooktacular: The Haunting of Dylan Charles

I recently talked about the fact that I now live in a haunted apartment. I don’t know who or what it’s haunted by, I just know that, on occasion, it gets all creepy up in here.

There have  been new sounds added into the mix. We both heard the sound of something thumping on the side of the house, though when I went onto the porch to investigate, I didn’t see anything there. There are the usual creaks and moans as though someone was walking on the ceiling and doors continue to open and close of their own volition.

But here’s the thing about ghosts I don’t understand; why? Assuming that you have a soul and assuming that this soul survives beyond death, then why would you give a good goddamn about what’s going on here on Earth? Your very existence has been altered in a fundamental, mind-boggling way. The very matter from which you are made is completely redefined and you’re just going to hang out in some old apartment and bang the pans together?

I don’t think so.

I think we can rule out that ghosts are dead people just based on the fact that I would hope people had better things to do after they die, assuming the existence of an eternal soul. Also, sidenote, if you’re religious, how do you explain ghosts? Are they caught in Limbo? Did they get lost on the way to Heaven/Hell? Either way, it would seem to point to some weird loophole in the mechanics of the afterlife. “Oh! I’m going to Hell? No thanks, I’ll just hang out on Earth for a few more decades.”

I do like the idea of strong, emotional events (murders, suicides, explosions in the old mines) leaving a kind of resonance in the area. It’s not the actual spirits of people, it’s a discordant harmony worked into the aether of a particular place. That would explain why it stays so localized, as opposed to just wandering around at will, like I sure as hell would do I could go anywhere I wanted in a phantasmagoric vapor.

But I’m pretty sure that science hasn’t proven that emotions leave imprints in inanimate objects. Science HAS proven that certain sound frequencies (infrasound) can cause feelings of dread, uncertainty and fear and even cause hallucinations in a listener and that these infrasounds are not uncommon in places that were reportedly haunted. Which all makes perfect sense and I’m glad that science has finally put this ghost nonsense to bed.

But that doesn’t quite explain the strange slime I found oozing from the tap this morning. Or the ring of dark, dried…something on the ceiling of my office that comes and goes. Or the whispered screams that come from our closet at 3am. Or the sound of footsteps behin

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31 Days of Spoooktacular: The Remade

Between 2007 and 2010, all three of the major slasher icons were featured in reboots of the old movies. Freddy Krueger, Jason Voorhees and Michael Myers stalked the silver screen again in “fresh” “re-imaginings” of the old movies. Halloween came first, followed shortly by Friday the 13th and A Nightmare on Elm Street. The idea that this was even a profitable idea probably came from the success of The Texas Chainsaw Massacre remake, which grossed over $107 million dollars worldwide. And that’s in 2003 dollars!

Of the three remakes, Halloween is the only one that can be even remotely be called “good”, and I use that term loosely. It’s still a slasher movie; it’s extremely violent, has a fairly simple plot and the character development of water-logged cardboard. BUT, even though it’s the one remake that most closely followed the plot of its predecessor, it still brought a lot of new material and ideas to the table that helped to enhance, rather than detract, from the story of the character (the childhood of Michael Myers being the most notable addition). It has a lot of nice touches sprinkled throughout and has some of the best kid actors I’ve seen in a movie in a long time. In fact, the acting across the board is good, which is something you learn not to expect in a slasher movie. And, this is important here, it has some truly creepy moments.

Which cannot really be said of Friday the 13th or A Nightmare on Elm Street. They were boring, did nothing to add anything new or original to the characters, except for stuff you really didn’t want added (Jason the pot farmer! Freddy the goofy man-child pedophile gardener!). They could never have been made and the world would never have noticed the difference. And it’s telling that while Halloween managed to do well enough to warrant a (truly terrible) sequel, the same cannot be said of the other two, though it’s only a matter of time. 

The problem with any remake or sequel, and this is more true for the horror genre than others, is that you will never be surprised or shocked. You will never be scared. You’ve seen this monster’s moves and you know what can kill it and you know how things will proceed. They never change a franchise enough to make it interesting, because if they do they risk losing money and fan ire (see Halloween III: Season of the Witch or Friday the 13th: A New Beginning).

They remake and sequel until the money runs out, but long before then, the scares have dried up. It’s detrimental to the genre and just drives away the fans in droves to try new things like Japanese horror and giallo.

Let them die, so we can be scared again.

-D-

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31 Days of Spoooktacular: Rock and Shock (The Event)

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I keep trying to condense all of this into one picture or thought that encompasses the entire event, but it’s just not possible.

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There are the celebrities. The few we actually talked to were absurdly nice and patient with our mumbling and limp handshakes.

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All around me, I see adulation for a genre that gets very little love outside of a small subset of fans. From modern horror to the old classics: everyone is here to share in their love of being scared.

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It’s the feeling of being with a bunch of people who love what I love, who work to create what I love. It’s bring surrounded by creators and artists and fans. It’s invigorating and energizing and l plan on coming back next year.

-D-

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31 Days of Spoooktacular: Rock and Shock

I made it.

-D-

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31 Days of Spoooktacular: Rock and Shock (The Trip)

We’re taking the train to the convention and so far, there have been enough oddities too warrant a mini entry.
The moment we boarded the train, an older woman stood up and shouted, “Oh God, is this Worcester?” The confused young man standing next to her assured her we had not reached the last stop on the train, but only a mile out from Boston.
We were also surrounded by old men wearing pins that said “train enthusiast”. Some had walkie-talkies queued to the train’s radio and it was from them we learned that the brakes had broken down and we weren’t going anywhere fast.
We’re now on a new train, still on our way to Worcester and to Rock and Shock.

-D-

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31 Days of Spoooktacular: Rock and Shock (Prelude)

So here’s the plan; I’m going to try and post small entries throughout the day from Rock and Shock. Hopefully there’ll be pictures and commentary and at least one story of me running from a crowd while Yacketty Sax plays.

I’m terrible at live blogging, but we’ll see how this goes. At the very least, keep an eye on my twitter, because I do update that.

I’m pretty excited.

-D-

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31 Days of Spoooktacular: Harvest Season

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Sometimes, it’s important to take a break from Halloween in the middle of the season and remember that Fall is great for other reasons as well.

When I was a kid, we used to head up to my grandparent’s house in Virginia in the Fall to pick the apples in their small orchard. My dad would climb into the trees and shake them as hard as he could and the apples would rain down. We’d gather them up and sort them out, the bruised and abused apples being set aside for cider.

The cider making was really the best part. The cider  press and grinder was a cantankerous wooden and iron contraption that would tear through the apples, grinding them into pulp, the pulp falling into a cloth lined bucket, which was then pressed. Swarms of yellow jackets and wasps would gather and I would always watch anxiously, hoping that they wouldn’t become part of the cider. Which, inevitably, they always did.

After we moved from North Carolina to New York, we stopped going down every year for apple pickin’. It has been years, maybe a full decade, since I last did any kind of apple picking.

Today, Emily, a couple friends and I all headed out West, going a little further out into Massachusetts, where there was fairly large scale U Pick apple orchard. I had been to a few of these operations, but this was probably one of the larger that I had been too. There were goats and pigs and hayrides and plastic jugs of cider and trees going red, yellow, gold and the apples. So many apples.

As a kid, it was one of the ways I defined Fall: you went out into the country and collected apples by the bagful and you got out into the air that was just starting to get chilly and you really saw Fall for the first time, in all its colors.

It was nice to be able to do that again and to usher Fall in again that way.

TOMORROW: Blood and Horror at Rock and Shock

-D-

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